Since September 2011 I have mostly hermited myself away in order to work on a manuscript of poetry, text/image pieces, performance scores, and biofictions – all around the theme of anatomy as image. I’m happy to say that I am very close to having a manuscript ready to send out to publishers. The project itself is a huge one. Fred Wah pointed out to me last February that it is likely a life work. It seems silly to keep the work squandered away until the entire thing is done so I’m putting what I have into some semblance of order to send out over the next month. One piece—percuss—has been published in Ars Medica (Vol. 8, No. 1. Fall 2011), and another few pieces are forthcoming in Dandelion.
I realized this spring that in my excitement of my return to health I had taken on too much. I was overworked and burnt out. I had no time for friends, no time for our house, no time for my own creative work. I mapped out what I had been doing and knew that something needed to be dropped: Yoga teaching.
I’ve been teaching yoga for most of the past 13 years, initially starting my teacher training because it was something I felt passionate about doing, and there was something about oboe teaching that was dragging me down. I’ve loved the yoga teaching, but it is physically and sometimes emotionally intense work. I knew I had reached yoga teacher burnout when my own practice became more about class planning than svadyaya (self-study).
It’s been a very full spring and summer. I’m in the process of cleaning up from all the collaborations and performances I was involved with. Here’s a synopsis of what I’ve been doing. Continue reading
Last week was gloriously full. I got a lot of work done, but also had a lot of fun. susurrations sat for a few days, the Regina 60×60 event was fun and I met some great people, and the MidWinter SWG Salon was a great success and created more fans of Klingon Opera. Spent a lot of time with the fabulous Tracy Hamon. I didn’t get enough sleep, but I’m catching up.
It feels like things are flowing as they should at the moment and opportunities for collaborations and projects are coming up. These goal-setting posts are helping me to keep focussed on my work and what is important at the moment as opposed to becoming overwhelmed by what is in my calendar.
I’m the featured reader at the first Tonight it’s Poetry of 2009.
Sunday, January 4, 2009
8:00pm – 10:45pm
259 Second Avenue South
emerging readers are:
and Lisa Johnson
and will feature local multidisciplinary artist/poet Lia Pas.
The facebook event can be found here.
Husk is a being, a voice, a page that turns, a seed, a transformation. In Husk, Ed and Lia Pas have collaboratively created the tale of an uncanny being. Lia’s sound-influenced text and Ed’s surreal drawings recount—with a touch of dark humour—an evocative tale of visceral, organic metamorphosis.
An exquisite object, this book includes eighteen colour images with integrated text, printed on cotton rag paper and bound in a Japanese style with waxed linen thread.
I’m the featured poet this Sunday at the 7th “Tonight it’s Poetry” reading.
June 1, 2008 – 8pm
Flint Bar – 259 2nd Ave South, Saskatoon
I’m very excited to be reading at this year’s League of Canadian Poets event in Saskatoon. My energy is still somewhat low, but is coming back with regular rest breaks throughout the day. Though I’m not up to actually performing yet, a poetry reading is something I feel I can handle. Continue reading
In my recovery I’ve been reading a lot: online and books. I am trying to keep up with my “professional” reading as well as some reading for enjoyment. However, being a multidisicplinary artist my professional reading includes reading about music, writing, theatre, movement, and performance art. That makes for a lot of reading.
An issue that keeps coming up with much of this reading is the idea of specialization. Being a multidisciplinary artist I have mixed feelings about specialization in a creative practice. Continue reading