I have reached a point in my recovery from ME/CFS that means I am able to write again! ME/CFS is a neuro-immune disease and some of the symptoms include brain fog and cognitive fatigue. When I first got ill in 2015 I was unable to read or write for any length of time because it would utterly exhaust me. I’m very happy to say that I can now read and write with relative ease again.
Most of my writing these days is in the form of journaling, but earlier this year I submitted some of my embroidery work to an anthology about “challenged bodies” and creative work. As part of the In Corpore Sano anthology I was asked to write about my experience of being a creative person living with a debilitating illness and wrote a fairly long essay about that as well as the autobiographical and therapeutic nature of my embroidery work. Continue reading →
There will be a Saskatoon launch of GUSH: menstrual manifestos for our times (edited by Tanis MacDonald, Rosanna Deerchild, and Ariel Gordon with me as one of the contributors) at McNally Robinson on July 17, 2018, at 7pm.
This Saskatoon launch for the Frontenac House multi-genre anthology of writing about menstruation by more than 100 menstruators and former menstruators will feature readings by five of the contributors: Erica Violet Lee, Jeanette Lynes, Yvette Nolan, Brenda Schmidt, and co-editor Tanis MacDonald. All are welcome to attend! This is one of several launch events for the #bloodygreat anthology that are happening across Canada this year.
I’m currently working on a large anatomy-themed piece that you can check the progress on my Instagram.
Healthwise, I’m very slowly improving after a bit of a downturn in the fall because of a stomach flu. I’m still mostly housebound but have been able to drive myself to a few appointments and attend a few family gatherings. If you want to know more about ME/CFS I recommend watching the documentary Unrest, which is on iTunes and Netflix.
This dance opera is a project I was still hard at work on when I became ill in August 2015. I’m pleased to say that La Caravan Dance Theatre continued the process despite me needing to attend to my health.
If you or anyone you know is in Calgary, please pass this information on to them.
Kindred spirits Lewandowsky met the production’s composer, Lia Pas, in a workshop at the Banff Centre. The two discovered that they both were fans of Rumi’s work. Pas composed the music to fit the poetry. “It’s not Middle Eastern, it’s not a Far-East kind of sound,” says Lewandowsky. Instead, it’s contemporary, blending the classical with electronic music. “(Lia) can breach between the two worlds unbelievably.”
Lia Pas has taken 13 poems by Rumi and created a musical composition and libretto. The company then “experimented in the studio with the lyrics,” Lewandowsky explains. “We saw what sounds would come and we performed different exercises.” The company improvised as well as they worked through the poetry and created a narrative around the poetry. Some poetry was expressed purely through movement and some through singing and musical composition.
La Caravan Dance Theatre Presents World Premiere of Fihi Ma Fihi (It Is What It Is)
New artistic work draws inspiration from 13th century Sufi mystic and philosopher Rumi
Calgary AB – La Caravan Dance Theatre presents the world premiere of Fihi Ma Fihi (It Is What It Is) at Theatre Junction Grand, June 8-11, 2016. Tickets range from $40 – $75 and can be purchased at lacaravan.com.
The festival runs from 29-31 May at three different venues. Carissa Kolopoushak and Jaqueline Woods have been producing this festival for seven years and always have an exciting lineup featuring a number of local musicians as well as musicians who have grown up in Saskatchewan and studied and worked around the world. Continue reading →
The action takes place in the 18th century. The benevolent Thomas Coram has recently opened a Foundling Hospital in London called the “Coram Hospital for Deserted Children”. Unscrupulous men, known as “Coram men”, take advantage of the situation by promising desperate mothers to take their unwanted children to the hospital for a fee. The story follows a range of characters, focusing on two orphans: Toby, saved from an African slave ship; and Aaron, the deserted son of the heir to an estate, as their lives become closely involved with this true and tragic episode of British social history (from Wikipedia)
I’m very proud of the cast and choir learning a number of very difficult pieces of music for this play and want to thank Robert Grier for being an excellent assistant music director and conductor and Natasha Martina for her directing and holding it all together.
Coram Boy previews on March 18, opens on March 19, and runs until March 28 (no performance on Sunday, March 22).
I’ve been working on a collaborative piece with new media artist Ellen Moffat for the past number of months and am very excited to announce the premiere this November 7 & 8.
Book. Chair. Table. is a three-movement work based on three poems from Gertrude Stein‘s Tender Buttons. I’ve been calling it a new media chamber music theatre piece. I’ve written the music for voice, oboe, double bass, and new electronic instruments. Ellen Moffat has created new electronic instruments which integrate amplified sound, recorded texts, and video projection.
Book. Chair. Table. will be performed by Lia Pas on voice, Erin Brophey on oboe, Richard Carnegie on double bass, and Ellen Moffat on electronic instruments.
Book. Chair. Table. was composed with the support of a grant from the Saskatchewan Arts Board.
CORE Series V – In Transformation
Friday, 7 November 2014 – 7-11pm – buy tickets here
Saturday, 8 November 2014 – 7-11pm – buy tickets here
at PAVED Arts (424 20th Street West, Saskatoon)
***These performances consistently sell out so please get your tickets quickly!***