tethered by fluid and ligaments (2023) 

I have completed my liver embroidery. It’s another large piece, H 15″ x W 21″ (38 × 53 cm). I stitched it from 20 June 2022 to 5 June 2023. I’ve titled it tethered by fluid and ligaments. 

A red & purple organza liver basted onto grey linen. The biliary system with all its branches between the two layers of organza is filled with a bilious green. There are small yellow beads on the biliary system inside the smaller lobe. There are white beads sewn on the narrow end of the top organza liver. An arched T shape filled with tight crisscrossing stitches in thick off-white thread separates the large & small lobes of the liver and curves over the top. There are various blocks of text stitched in light grey single strand thread around the image.They read: What roots grow in us. Branch through our landscapes. In love plexuses. a curvature borne. between what is held & what must be held carefully. fleshy beasts tethered. By fluid and ligaments. Such a gentle embrace. Beneath our skin. Here is the thing I broke & then repaired with brightness. Laid open. The spells it holds. A language spoken. Between boughs & flesh. this golden ingot. This tailed beast. And its viscous song. What a miracle these spaces within us. Are what make us whole. What offertory our bodies. The proper invocation of flesh. Placed on the ground. Hosts on tongues. Fleshy language. Each thing precious in its own decay.

Unlike some of my previous symptomatology pieces, my liver issues haven’t been resolved during the stitching of this piece. . . .

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Opera Mariposa 2023 Benefit & Awareness Month

I’m so excited to be taking part in Opera Mariposa’s 2023 Benefit + Awareness Month🦋 I’m joining them as a featured artist in their online art showcase, as well as having some of my artwork appearing in their charity prize draw!

Against a gauzy blue background, Jacqueline Ko spins in a sea blue chiffon gown, her long black hair flowing, haloed in rays of light. Next to logos of Opera Mariposa and the ME FM Society of BC, white text reads, Opera Mariposa's 2023 Benefit + Awareness Month. May 1 - June 1. Benefit.OperaMariposa.com.

This entire charity fundraiser runs May 1-June 1 at Benefit.OperaMariposa.com, and features music, videos, art, merchandise, nearly $5,000 in prizes and more! It’s all in support of the ME/FM Society of BC and the rising number of people impacted by Myalgic Encephalomyelitis (ME), Fibromyalgia (FM) and Long Covid. There are free and by-donation ways to take part—plus, donations will be TRIPLED up to $3,500, so your support has three times the impact! I hope you’ll check it out, and join me in support of the chronic illness community.

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The Body Electric 2021 & 2022

My work was once again selected to appear in The Body Electric—an annual health and humanities exhibit that is part of the International Conference on Residency Education (ICRE).

Initially launched during the 2014 International Conference, The Body Electric uses art as a way to critically engage with medicine and healthcare. The Body Electric annual digital art exhibit showcases an inspiring selection of visual art, in a range of media, including photography, drawing, painting, sculpture and video.  

from The Body Electric website

One of this year’s themes was Art as Coping so I submitted three of my paresthesia symptomatology pieces:

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In Corpore Sano on Medium

I’m pleased to announce that the In Corpore Sano anthology has begun publishing excerpts on Medium, including some of the writing I’ve done for the anthology as well as some of my symptomatology and anatomy embroidery pieces.

An outline of a naked woman is embroidered on linen in the same bone white colour as the linen. She stands legs together, her right hand covering her groin, her left hand, palm up, extended slightly to her side. She looks to the right. Her body is covered in squiggles, dots, and lines in blues, burgundies, greens and greys. Some of the markings are done in thick stitches, some in thin lines. Her belly is clear of markings. Her face is a mask of green lines, feathery lines cover her shoulders and chest. There is a thick band of intricate burgundy stitching around her waist. Her forearms and hands are covered in thick undulant lines. Her right leg has bands of burgundy along the muscles, with small dots around them. Her inner left leg has a thick line of blue running up it, with thin branches spreading towards her outer leg.

My personal essay excerpt, Meaning Making/Making Meaning :: In Corpore Sano presents Lia Pas outlines the way my creative practice has changed since becoming ill with ME/CFS in 2015 and has a number of my embroidery pieces as illustrations.

Amanda Glassman has written an outline of the online series titled Hello to IN CORPORE SANO :: Creative Practice & the Challenged* Body :: a web & print:document series .

Also, Written Over :: In Corpore Sano Presents Jill Khoury, a set of poems and prompts, is illustrated by another of my anatomy embroidery pieces.

There will be weekly excerpts published on Medium for the next few months, so please visit the In Corpore Sano Medium page for more writing and images on the challenged body as they are published.

US addresses can pre-order the print anthology for a discounted price here, but Canadian addresses will need to wait until the anthology is published in March or April to order a copy.