My work was once again selected to appear in The Body Electric—an annual health and humanities exhibit that is part of the International Conference on Residency Education (ICRE).
Initially launched during the 2014 International Conference, The Body Electric uses art as a way to critically engage with medicine and healthcare. The Body Electric annual digital art exhibit showcases an inspiring selection of visual art, in a range of media, including photography, drawing, painting, sculpture and video.
from The Body Electric website
One of this year’s themes was Art as Coping so I submitted three of my paresthesia symptomatology pieces:
paresthesia (hand 1) – 2016
paresthesia (tongue 2) – 2018
push, pull & tingle (2018) Continue reading
I’m still catching up with posting about all my activities, so here’s what I’ve been up to since January 2022. More interviews and some exciting forthcoming work.
The past two years have been extremely full and my body needed a fair bit of down time. I’m slowly playing catch up with my blog so here’s all the 2021 things!
At long last I have completed my embroidery piece, Bleeding Vessel. I started the piece 27 July 2020 and finished stitching it 15 June 2022—almost two years.
Bleeding Vessel (2022). Cotton and nylon thread with glass beads on linen/rayon blend. Stitched area is 42 x 28 centimetres. Continue reading
I was recently interviewed by the
Art the Science, a Canadian SciArt organization. I’ve focused on embroidery for the past few years, but have been doing science-based work for a long time. This interview gave me the opportunity to talk about how my practice has changed media while maintaining a science focus.
CREATORS – Lia Pas