Crip Time is Usually Not Writing Time

A post on why I’ve been neglecting my blog.

My Primary Sclerosing Cholangitis (PSC) has progressed to the point where some of my flares require long hospitalizations, more IV antibiotics, and ERCPs. I’ve been much sicker for much longer, and sometimes I don’t even have the focus to do much embroidery.

A red & purple organza liver basted onto grey linen. The biliary system with all its branches between the two layers of organza is filled with bilious green. There are small yellow beads on the biliary system inside the smaller lobe. There are white beads sewn on the narrow end of the top organza liver. An arched T shape filled with tight crisscrossing stitches in thick off-white thread separates the large & small lobes of the liver and curves over the top. There are various blocks of text stitched in light grey single strand thread around the image. Some of them are cut off in this photo. They read: roots grow in us. through our landscapes. plexuses. fleshy beasts tethered. By fluid and ligaments. Such a gentle embrace. Beneath our skin. Here is the thing. Laid open. The spells it. A language. Between. this golden ingot. This tailed beast. And its viscous song. What a miracle these spaces. Are what make us whole.
A detail of my liver embroidery tethered by fluid & ligaments (2023) with some of the strictures typical of PSC done as agate beads, with some liver abscesses on the top layer of organza. I have many more strictures now, and as of November 2025 I no longer have a gallbladder. More about this piece here.
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Interview on Threadstack

Late in 2024, Kathryn Vercillo of Threadstack and Create Me Free sent me some intriguing interview questions which I used as journaling prompts between liver infections. The interview is now online for all to read. In it I share the experience of changing mediums due to health, beginning to identify as having a disability, reading The Van Gogh Blues, and so much more.

Threadstack Interview with Lia Pas of The Slowest Thread

Opera Mariposa Benefit 2025

I’ve been dealing with some recurrent liver issues the past few months so haven’t been able to write and post as much as I like, but ME Awareness Month is almost over so here is information for this year’s benefit!

I’m excited to announce that I’m once again a featured artist in Opera Mariposa’s 2024 Benefit + Awareness Month! 🦋 I’m honoured to share both art and music to support the ME | FM Society of BC and raise awareness for those affected by ME/CFS, Long Covid, and Fibromyalgia. Join me for this all-online charity extravaganza at Benefit.OperaMariposa.com from May 1 – June 1, 2025. There’s music, art, over $3,000 in prizes and more – and it’s all for a great cause!

A blue image of a woman looking over her shoulder with clouds and fields in her skin. The text reads: Opera Mariposa's Benefit & Awareness Month. With more text as mentioned in the paragraph above the image.
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When Illness Becomes the Way: Stoicism as a Way through Chronic Illness and Disability

This essay was originally published by Classical Wisdom after winning their Stoic Essay Writing Contest in 2022. You can read the original post here.

What happens to each of us is ordered. It furthers our destiny.

Marcus Aurelius[1]

We never know when our lives might be changed suddenly and irrevocably. 2015 was one of the most successful years of my career as a multidisciplinary artist and vocal coach. I was teaching privately and at our local university and collaborating with several other performing artists. My largest project was writing and performing libretto and music for an upcoming dance opera. After a three week intensive with the dance opera company, my collaborator came down with a virus. I gently hugged her aching body and said goodbye. The next day I was sick. I still haven’t recovered.

Stoicism has been of great help in managing my mental and physical health while living with chronic illness. I also believe Stoicism has the potential to shift how society views those disabled by chronic illness—from burdens to human beings capable of flourishing—and to offer the support necessary to make that happen.

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Opulent Mobility: a group show in LA

I’m very honoured to have two pieces included in this year’s Opulent Mobility show! Opulent Mobility is an international annual exhibit that asks artists to re-imagine disability as opulent and powerful. It imagines a world where disability is celebrated instead of denied, ignored, and feared. These exhibits are curated by founder A. Laura Brody and disability arts activist and photographer Anthony Tusler and include art and artworks from across the country and around the globe. 

 On the top left, a profile of a pale skinned woman with a breathing tube and butterflies attached to her cheeks. Below is a red maple leaf with gold text reading Sacrifice the Weak. On the right a woman painted white with a white head bandage crouches at the bottom of a triangular ladder heading towards a tiny door. White text reads Opulent Mobility 2024 at the Los Angeles Maker, 260 S. Los Angeles St, LA, CA 90012, Celebrate disability in all its forms. Artworks: Breathe by Patricia Fortlage, Pandemic Eugenics by Megan Bent, and Barriers by Bronte Grimm.
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I’m on the PEM Podcast!

A couple months ago I had the honour of being interviewed by Daniel Moore for the podcast Post-Exertional Mayonnaise. The name of the podcast is a play on Post-Exertional Malaise (PEM), the hallmark symptom of ME/CFS.

Daniel and I had a wide-ranging discussion and talked about whether its possible to flourish whilst living with ME, making art with a disability, flow states, symptomatology, meditation, and Stoicism.

You can also listen on your favourite podcast platform via the PEM Podcast webpage.

Monthlyish Update: Getting Guts in Order (late Sept to early Nov)

Note: This has been cross-posted on my ko-fi. There are a few other monthly updates there if you would like to read back a few months.

Webinar Report

Another monthly-ish update and another very full month. The main creative work on my plate was teaching a webinar for CHASE Medical Humanities about the visualization process I use to create my symptomatology pieces as well as how to use the poetic technique of homophonic translation to re-vision and re-own dense scientific texts.

It felt good to stretch my teaching muscles again. I’ve been teaching in some capacity since my late teens—music, yoga, and meditation—but had to stop when I got sick in 2015. Despite an ME/CFS crash the day before, I was well enough to present my webinar and the par­ticipants seemed to enjoy and get a lot out of the work. A few people even shared their symptomatology image/test pieces on social media. Here are a few:

crayon drawing  of a body with photocopied esophagus, awkward poem and a bunch of triangles

Gillian Blekkenhorst started with a trachea and expanded their piece from there.

website: https://blekkenhorst.ca/

Twitter: @gblekkenhorst

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Webinar: The Invisible Made Visible

I’m teaching a free webinar with CHASE Medical Humanities in the UK on Thursday, 26 October 2023, 5:30pm UK time, 10:30 am SK time. I’ll be leading participants through my process for creating both the visual and textual aspects of my symptomatology pieces. I’m very excited about it!

You can register here: https://www.eventbrite.co.uk/e/the-invisible-made-visible-a-visualization-writing-workshop-with-lia-pas-tickets-726765173197

An outline of a naked woman is embroidered on linen in the same bone white colour as the linen. She stands legs together, her right hand covering her groin, her left hand, palm up, extended slightly to her side. She looks to the right. Her entire body except for her belly is covered in intricate markings representing different neurological sensations. Her face is a mask of green lines, feathery grey lines cover her shoulders and chest. There is a thick band of intricate burgundy stitching around her waist. Her forearms and hands are covered in thick blue undulant lines. Her right leg has bands of burgundy along the muscles, with small dots around them. Her inner left leg has a thick line of blue running up it, with thin branches spreading towards her outer leg.

This webinar is open to all, not just people in CHASE institutions. For the institution question in the registration I usually put n/a, and my position as independent artist.

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