Tag Archives: embroideryart

The Body Electric 2021 & 2022

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My work was once again selected to appear in The Body Electric—an annual health and humanities exhibit that is part of the International Conference on Residency Education (ICRE).

Initially launched during the 2014 International Conference, The Body Electric uses art as a way to critically engage with medicine and healthcare. The Body Electric annual digital art exhibit showcases an inspiring selection of visual art, in a range of media, including photography, drawing, painting, sculpture and video.  

from The Body Electric website

One of this year’s themes was Art as Coping so I submitted three of my paresthesia symptomatology pieces:

On bone white linen, there is the faint outline of a hand, fingers apart. The hand is filled with thick dark blue lines intertwining and crossing over. There are finer thin lines in bone white beneath the thick blue lines. At the wrist, the thick blue lines end in strands of thick thread, hanging over the edge of the linen.
paresthesia (hand 1) – 2016
On black linen there is the outline of an open mouth with the tongue sticking out. The lips are outlined in a dark pink, the tongue in a paler pink, and the teeth in bone white. There are sections outlined on the tongue in thick blue lines. The tip and sides of the tongue are covered in tiny red, orange and white dots. In the center of the tongue there is an hourglass shape made of tiny pink dots. There are taut lines of thin dark blue thread stretched from the tip of the tongue to the sides, from the sides of the tongue to the lips and palate, and from the palate to the tip of the tongue.
paresthesia (tongue 2) – 2018
An embroidery on deep purple linen. There is a purple outline of a feminine right hand from the side, palm up, fingers curled slightly inward. There are many tiny white French knots covering the fingertips and light blue, gold, and navy French knots on parts of the palm. There are fine filigree lines connecting many of the French knots and white strands of thread strung from each fingertip to an apex above the hand. There is a starburst floating above the palm in white and light blue.
push, pull & tingle (2018)
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‘sensorium’ selected for SK Arts’ permanent collection

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I’m very honoured that SK Arts has selected my embroidery sensorium (2016)—part of my symptomatology series—for purchase for their permanent collection.

sensorium is a depiction of the hypersensitivity and hyperexcitation of my nervous system due to ME/CFS and took approximately 60 hours to stitch. My main sensory sensitivity is to sound and vibration—hyperacusis—which can absolutely overwhelm me depending on the volume and timbre of the sound. My entire nervous system becomes involved, and though this symptom has improved with a lot of desensitization work it still affects me daily.

In the centre of some bone white linen, there is a spine embroidered in a thick satin stitch. Emanating from the spine are thick burgundy lines in an undulant oval shape. This oval is bisected across the middle. In the top half, there is a section outlined in burgundy filled with coiling blue lines and a similar section in the bottom half. The rest of the undulant oval is filled with fine coiling burgundy lines. The spine is very straight, the rest of the embroidery is very coiled and busy.
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Recent Embroidery Portfolio and Interview

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In August 2019 I had a couple articles about my embroidery work go up online.

First, The Cardiff Review published a portfolio of my anatomy embroideries with some of my writing about that body of work.

Second, Action for M.E. published a short interview about my symptomatology embroideries.

Both these online magazines are based in the UK and I’m very happy to see my work getting attention over there!

I’m a New S.E.W Member

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I’m pleased to announce that I’m a new member of S.E.W., The Society for Embroidered Work. S.E.W. is an international society of artists who work in embroidery as their medium. Membership is by application once or twice a year and chosen based on the quality of the artwork. I’m very honoured to be a part of this society, which is helping to bring embroidery into the art world as a serious medium.