‘sensorium’ selected for SK Arts’ permanent collection

I’m very honoured that SK Arts has selected my embroidery sensorium (2016)—part of my symptomatology series—for purchase for their permanent collection.

sensorium is a depiction of the hypersensitivity and hyperexcitation of my nervous system due to ME/CFS and took approximately 60 hours to stitch. My main sensory sensitivity is to sound and vibration—hyperacusis—which can absolutely overwhelm me depending on the volume and timbre of the sound. My entire nervous system becomes involved, and though this symptom has improved with a lot of desensitization work it still affects me daily.

In the centre of some bone white linen, there is a spine embroidered in a thick satin stitch. Emanating from the spine are thick burgundy lines in an undulant oval shape. This oval is bisected across the middle. In the top half, there is a section outlined in burgundy filled with coiling blue lines and a similar section in the bottom half. The rest of the undulant oval is filled with fine coiling burgundy lines. The spine is very straight, the rest of the embroidery is very coiled and busy.
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Recent Embroidery Portfolio and Interview

In August 2019 I had a couple articles about my embroidery work go up online.

First, The Cardiff Review published a portfolio of my anatomy embroideries with some of my writing about that body of work.

Second, Action for M.E. published a short interview about my symptomatology embroideries.

Both these online magazines are based in the UK and I’m very happy to see my work getting attention over there!

I’m a New S.E.W Member

I’m pleased to announce that I’m a new member of S.E.W., The Society for Embroidered Work. S.E.W. is an international society of artists who work in embroidery as their medium. Membership is by application once or twice a year and chosen based on the quality of the artwork. I’m very honoured to be a part of this society, which is helping to bring embroidery into the art world as a serious medium.

In Corpore Sano on Medium

I’m pleased to announce that the In Corpore Sano anthology has begun publishing excerpts on Medium, including some of the writing I’ve done for the anthology as well as some of my symptomatology and anatomy embroidery pieces.

An outline of a naked woman is embroidered on linen in the same bone white colour as the linen. She stands legs together, her right hand covering her groin, her left hand, palm up, extended slightly to her side. She looks to the right. Her body is covered in squiggles, dots, and lines in blues, burgundies, greens and greys. Some of the markings are done in thick stitches, some in thin lines. Her belly is clear of markings. Her face is a mask of green lines, feathery lines cover her shoulders and chest. There is a thick band of intricate burgundy stitching around her waist. Her forearms and hands are covered in thick undulant lines. Her right leg has bands of burgundy along the muscles, with small dots around them. Her inner left leg has a thick line of blue running up it, with thin branches spreading towards her outer leg.

My personal essay excerpt, Meaning Making/Making Meaning :: In Corpore Sano presents Lia Pas outlines the way my creative practice has changed since becoming ill with ME/CFS in 2015 and has a number of my embroidery pieces as illustrations.

Amanda Glassman has written an outline of the online series titled Hello to IN CORPORE SANO :: Creative Practice & the Challenged* Body :: a web & print:document series .

Also, Written Over :: In Corpore Sano Presents Jill Khoury, a set of poems and prompts, is illustrated by another of my anatomy embroidery pieces.

There will be weekly excerpts published on Medium for the next few months, so please visit the In Corpore Sano Medium page for more writing and images on the challenged body as they are published.

US addresses can pre-order the print anthology for a discounted price here, but Canadian addresses will need to wait until the anthology is published in March or April to order a copy.